Day 0:
A flight to Hamburg, a subway to the central station and a crowded train later, we were in Itzehoe. A quaint little town in the middle of nowhere with a large congregation of metalheads all headed to the holy land. We were to take the shuttle to Wacken, another extremely crowded and uncomfortable journey that took almost an hour. The sun was up and so were our spirits. We arrived at Wacken Open Air, greeted by screams of tons of other fans, we had a long way to. My friend and I had to part ways for the moment as he was holding a regular ticket and I, the VIP/Press pass. After enquiry at the info desk, I began my really long walk to the check-in counter to collect my wristband. And a return walk that seemed equally long to the VIP camping area. After setting up camp, I was finally ready for some metal and beers. By this time it was pretty late and I had already missed Flotsam and Jetsam. I figured I’d go and check out the festival area and catch Crowbar and Annihilator. The VIP camp was little way off and though you can walk to the festival, you’re not allowed to. You have to wait for the shuttle, an exercise that would grow more tedious by the day. I landed in the VIP bar and headed to the bar for a few beers, caught up some old friends and made some new ones. I figured I’d go catch Crowbar in the Headbangers Stage, but I was surprised at the crowd. I’d never imagined I’d see a band like Crowbar from way behind. Though the sound was great, I wasn’t feeling it. Crowbar isn’t an arena band and you got to be close enough to enjoy them. I headed to the artist village, the backstage area for the WET and Headbangers Stages. The VIP pass holders were allowed here only on Day 0, a thing I found rather strange. I settled with a few beers and decided to watch Annihilator on the screen and not go back in. When they were done I saw them come back and their room was next to where I was sitting. I stood outside hoping to catch Jeff Waters, who just before closing the door saw me and waved at me. I decided to hang around, I met and shared beers with a young Greek band called Domination. They were all around 21 or 21 and I thought it was pretty cool of them to play Wacken. A while later I saw Annihilator leave and I rushed and I caught Jeff and asked if he could spare me a second for a picture. He said they were late for their shuttle but obliged with a smile on his face. I thanked him and wished him the best for his tour and he told me to have fun at Wacken. With this I headed back to the bar to drink some more as there wasn’t anyone worth watching.
Day 1:
The day started off with heavy rains by 10 am and I did not leave the camp site till after 3. I was offered beers by a neighboring camp of Germans and we talked and had some laughs. I decided to head out a while later and grabbed a beer or two and caught Accept on the screen form the bar. Seeing more than 85,000 people didn’t evoke any interest in me to go and watch them, and I was less than impressed with the orchestra.
I decided to head straight to the signing tent to meet and greet Brujeria, while listening to Status Quo stared their set on the Faster stage. Immediately after was Nile, and it was incredible to finally meet Kollias, one of my favorite drummers and Karl Sanders of course. Shortly after we headed to the Headbangers and WET stage for Brujeria, who were absolutely ferocious. The arena was filled with Latin American flags of nearly all countries. It went incredibly well with anti-Trump chants and Brujeria singing Macarena but replacing it with Marijuana. Right after this were UK grind/punk legends Napalm Death, and frontman Barney proved that punk is alive and kicking in the 21st century. A true wall of sound, anti-system and anti-capitalist, I could not feel more at home. Shane Embury who played guitars for Brujeria was on fire on bass, however, Barney stole the show with his incredible energy. The WET stage saw Batushka between Brujeria and Napalm Death, as the bands play alternately on the two stages. Batushka didn’t offer anything for me and I was honestly bored by a mid-tempo Dimmu Borgir. After Napalm Death however were Mayhem, and much to my disappointment, the sound was terrible. Hellhammer’s snare was unheard throughout the set, and the guitars were jarring on the PA’s, and I couldn’t tell one riff from the other. A tremendous waste of their costumes and on stage rituals when most of it was just distorted noise. The last band of the night were Nile, and there couldn’t have been a better end to it. After the grind, the punk, and the mish mash of black metal, it was finally great to hear some death metal. Nile commanded the crowd with technical prowess, and though they didn’t interact with the crowd much, the music seemed to suffice. Unas Slayer of the Gods was probably the song that hit home for me, truly blown away by these legends.
Day 2:
The most interesting day of the festival for me. Up and about early, got my boots on, and headed to the Faster stage to catch Memoriam. Karl Willets said, “isn’t old school death metal the best breakfast?”, I couldn’t agree more. They played a crushing set. I went to get something to eat to survive the day and finally caught up with my buddy Sriram and we discussed the awful muck that covered the entire festival area, and how difficult it was to navigate through it from one stage to another. Soon after, we were back in the signing tent to meet Memoriam. It was great to finally meet Scott Fairfax in person, and the legendary Karl Willets, who, much to my surprise, was pretty outgoing and talkative. We took our pictures and expressed our heartfelt love for the death metal machine Bolt Thrower and headed back to the Faster stage to catch Sanctuary. A great feeling to see Warrel Dane in the flesh, having never seen Nevermore. However, seeing him was the only thrill as the man cannot sing or hold a note anymore. Disappointing as this may be, the rest of Sanctuary were spot on and unleashed an incredible set. The rain started to come down again, much to our annoyance, but we weren’t to be swayed. We rushed back to the signing tent to see Sanctuary right after their set and I was on cloud nine meeting the man himself. He was quite funny when I told him Nevermore’s lyrics changed my life, loved every bit of our little conversation (thank you, Warrel!). We had an hour or so to kill, and we headed to the Headbangers Stage to catch the phenomenon that is Grand Magus.
Grand Magus
It was Sriram’s first time and my second, and we were in unimaginable awe as the Swedish power trio galloped in full force on hooves of gold. The ritual of heading to the signing tent continued and this time was the biggest thrill of them all to meet and greet Magus and we were jumping with joy. We got postcards signed for our friends back home and took our pictures and headed to the Harder stage to catch another legendary band – Paradise Lost. The muck was getting worse now and it took us almost 25 minutes to make it there. The mobility being a big issue, we decided to watch from a distance and despite the sound not being the best, we held on. We stopped by for a bite and witness Emperor on the big stage and I didn’t quite feel a thing, not even when they played In The Nightside Eclipse and an entire set of Anthems of the Welkin at Dusk. I realized I’m not fan of big stages at all, and there are only few bands in the world I’d make an effort for to go up front and catch them (Rush, Maiden, and not many others). Back to the signing tent to meet our hometown boys Kryptos, it was good fun catching up with them for a bit. We hung out and watched Megadeth on the screen and it was pretty great to see the crowd, which was about 80,000 + now, go nuts watching the great Dave Mustaine. Right after them was the meet and greet for Candlemass and much to our surprise, Leif Edling was back and I managed to get signatures from both Mappe and Leif. They were in a hurry as they were yet to play and we couldn’t get any pictures. We too rushed back to the Headbangers Stage to see what would be one of the best bands of Wacken 2017. Sacred Reich on their 30 years of Ignorance tour. The American thrash legends played a most phenomenal set and showed no signs of ageing whatsoever, loved them to bits. We had a bit of time and we were exhausted from all the walking we did and I had a beer or two to feel better before Candlemass came on and blew us away. Mats Leven is brilliant on the mic and Candlemass played an all Nightfall set and it was truly orgasmic. The night would end with Kryptos taking the stage at 2:25 am. Now, I’ve watched Kryptos for a decade or so, I’ve watched them in college fests in Bangalore, in really good pubs and really bad ones, at their best and at their worst, and to watch them at Wacken, delivering the goods halfway across the world, with ferocity, was just an amazing feeling. They are my favorite Indian band and rightfully so. I don’t much care for Indian metal being “represented” in Europe, and mostly because most of them aren’t good enough, but Kryptos tour with Sacred Reich, Tank, Death Angel, among others, that speaks for itself.
KryptosDay 3:
The last day began as the rest, rise early and head straight to the Faster stage to catch Possessed. Watching the king Jeff Becerra on his throne lash out some evil vocals and the rest of the band ploughing through the crowd with true 80’s thrash metal was just the best feeling to be had in the morning. A moment I’ll cherish forever. The meet and greet that followed their set was quite a let down as the line was too long and the guards decided to cut the line in half by barricading it at random. It was quite frustrating to not be able to go up there and meet them when I was standing just feet away. I walked back with much annoyance and I witness a bit of Max and Igor on the Faster stage and I was less than impressed. It was mostly just the two of them with no bass player and their attempt at “returning” to Roots was in vain. I love Sepultura for what they did back in the day, but Max cannot sing anymore, and that’s a major setback. There wasn’t much to see the rest of the day and I decided to buy some merchandise and kill time. Going to the metal market and back was a hassle, as was anything else, given the distance and the muck. I really did not want to make a half hour journey one way to check out shirts. And I soon returned to the WET Stage as it was time for another big favorite – Orange Goblin.
Orange Goblin
No surprises there, they razed the arena to the ground. It was lovely to see Ben in an Entombed shirt and Martyn in a Grand Magus shirt (we had more than one thing in common, Martyn and I, hah). They played Harvest of Skulls and Ben dedicated it to the memory of legendary horror director George A. Romero. Soon after this, I headed to the signing tent for one last time to meet Soilwork. This wasn’t very eventful, Björn is the only original member left and the only one who makes conversation, nonetheless, I loved it. I headed back to the Headbangers Stage to see British Lion, Steve Harris’ band. Now, honestly, I don’t much care for their music, I just wanted to see Arry and I almost welled up doing so. It’s been more than 8 years since I last watched Maiden and this was a pleasant feeling. Also, the music isn’t that bad as I thought when I heard the record some years ago. The musicians are great and the singer isn’t bad and makes for a worthy one-time watch, sans Steve Harris. The last band of Wacken for me would be Soilwork, and much to my dismay, their set list mostly consisted of their newer albums, something I’m not a fan of at all. They did play a few older numbers but I had lost interest by then and I wasn’t feeling it as almost the entire band is new. The last night ended with me waiting for the bus to take me back to the VIP tent and get some sleep and pack up and leave the next day.
I found it quite inconvenient that we had to walk all the way to the main entrance from the VIP camp for the shuttle to Itzehoe. I, along with two others, caught a taxi and took that to Itzehoe instead as walking was impossible. To conclude I’ll say that the lineup is the only thing that draws me to Wacken, and unfortunately nothing else. The place is too big and walking around in the muck, which is inevitable, is a huge hassle. The rains are okay to deal with, but not the muck. I would also like to point out that Wacken is too big in terms of crowd and that means more rules and regulations and that can get really annoying, considering you’re there to relax and have fun. Wacken is my 5th European metal festival and I found that the restrictions really troubled me, though extremely well organized for close to a 100,000 people. The VIP camp probably had the least convenience and it was quite cumbersome to wait for the shuttle to ferry you back and forth each time. Also, the check in for the VIP which is a 40 minute from the entrance, and considering you have to do this with our bags, is quite ridiculous. I wish there were alternatives to this. I did enjoy every bit of every band I watched and I am grateful that Wacken is the reason I watched a cluster of my favorites in a span of three days Until next time!
If you have never been to Hellfest, you should definitely try to go. Yeah, that is the sentence I will start with. Every year it amazes me how the festival can get such an awesome lineup that makes you want to run around the whole festival ground. Hellfest has 6 stages on the festival ground. 2 main stages, The Temple, The Altar, The Valley and The Warzone. This year started a bit different for me because I have a neck injury and I had to be very careful where I positioned myself. That couldn’t stop me from going to Hellfest. We arrived a day early on the Thursday and my friends pitched their tents after we unpacked the car. We all went to get our wristbands and we made our way to the Hellcity Square.(That is just after the wristband entrance where they made a little town). In the center of this square there was a small stage and a wrestling ring that got me amped. After getting some food and walking back to see the bands playing on the small stage and I got to see The Rock n Roll Wrestling Bash. This was a live rock band combined with Luchador Wrestling. It was really fun but I was too tired to stay around and needed to go to sleep.
Rise and shine everyone! We started early in the morning with a Dutch band called Sick of Stupidity. With two vocalists, a guitarist and a drummer, they absolutely wrecked the stage with their ‘destroy everything’ attitude. It was fun to watch them preform and tear the stage apart! We were next hypnotized by the sound of Myrath. This Tunisian band plays progressive oriental metal and it was a great appetizer for what the day was going to bring. We quickly made our way to The Warzone for Booze & Glory. Although I totally misjudged them as a sleaze rock band (must have been the name), they were the surprise of the festival for me. This London based punk band just blew me away. The amazing energy, the catchy lyrics and the awesome crowd just made me love this band from the first time I saw them.
Back again on home turf for me when we went to see Textures. The Dutch progressive metal band announced in May of 2017 that this tour will be their last, so it’s probably one of the last times we got to see them. They played an amazing set and waved goodbye to a satisfied Hellfest crowd. Up next was Heavy Devy (Devin Townsend) and that was just great to see him make so many different faces while singing. This band is just something you have to see to understand them and they are great in what they do. One of the bands I really was waiting for that day was Powerwolf and they unleashed their Heavy Metal Mass upon Hellfest. Everyone was loving it and I couldn’t be happier. I even saw a wall of death and several people in wheelchairs crowd surfing. This happened to become a normal thing over the rest of the weekend but I never saw these things at a Powerwolf show. Ministry was up next with Uncle Al as a main attraction. The energy and raw power was intense and seeing Al Jourgensen tearing it up on stage was just a treat for the eyes. These industrial metal legends showed Hellfest exactly what Ministry is all about, even in the burning sun.
Deep Purple was the first headliner of the festival and they did not fail to amaze. The band is seen as one of the founders of “metal” and a lot of the bands playing this festival would not exist if there was no Deep Purple. The band set out to entertain and show the youngsters that they still rock and they did just that. Ending the night with Space Truckin’, Smoke On The Water, Hush and Black Night they delivered a solid encore and made the crowds at Hellfest look back with delight.
Sabaton was another band that burned up the stage at Hellfest. That’s all I can say about it. There was a contest which allowed the winner to come on stage and join the band for a song. Laurent Fabisz from Kryzees had the honor to join the band on stage and Joakim quickly left when they started to play Swedish Pagans. After Sabaton, it was time to light up the stage and bring out your dance moves for the legendary Rob Zombie. The band took their US stage production with them so the crowd was in for a treat. Mixed songs from the new album with a lot of the classics like More Human Than Human, Living Dead Girl and Dragula. They even played Blitzkrieg Bop and School’s Out to hype up the crowd even more after an electrifying Thunderkiss ’65. After the gig I was ready to go back to sleep.
(please read this following sentence in Chop Suey style).
Wake up, grab a beer and put on a little sunblock
My friends got really excited for IGORRR on the way over to Hellfest and I wasn’t completely sure what it was so I went to check it out. It’s very hard to describe this artist. it’s really weird and really awesome at the same time. Phil Campbell and The Bastard Sons were up next and they crushed it with a mix of their own material and classic Motorhead songs like Born To Raise Hell and Ace of Spades. We went to the Steel Panther press conference. It was funny and Michael Starr did a few metal impressions including one of Steven Tyler and Dee Snider. We walked back to the Main stages where we watched Pretty Maids entertain the crowd with classic and new songs. One of my highlights is when they played Back to Back, Ronnie’s voice sounded great and the whole band just had an explosive attitude and they rocked Hellfest to the core. Following Pretty Maids was Steel Panther and it was a really good show (and lots of on stage boobies or NICHONS as they would say in France). For me rock was going to make way for Finnish folk metallers Turisas who played their 2nd record The Varangian Way, finishing it off with Stand Up And Fight. Great set from a great band. It was then back to hard rock with Australian outfit Airbourne. Breaking beers over their heads and explosive mix of guitar and vocals this, band can’t be excluded on your ‘get psyched’ mix.
Aerosmith on their Aero Verdeci tour started strong and took me on a journey by playing nothing but hits from their illustrious career. The band sounded better than I’d ever seen before and personally, I don’t hope that this was the farewell tour because the band was in top form. It made us all ‘Come Together’ while we ‘Walked This Way.’
The next morning, we caught Ghoul who definitely delivered with guts and glory. The band is all masked and has monsters coming on stage like you would see with GWAR. These two are no strangers as they toured together in the US and they even recorded a song with Oderus. if you like gore, guts and blood this is a band for you.
Skindred is always a fun band to see live. Their charismatic frontman Benji Webbe knows how to hype you up. From the first minute you know it’s time to party and it makes you want to bounce up and down. If you are ever at a Skindred show just remember to take your shirt off and hold it over your head when you hear, “ARE YOU READY TO DO THE NEWPORT HELICOPTER!!”
Pentagram took the stage in The Valley without their vocalist Bobby Liebling and Victor Griffin instead and though it’s weird to see the band without Liebling, they still sounded great with their brand of heavy doom metal. Some would say even better than with Liebling as vocalist. However, the band is still a solid name in the doom metal scene and still seem to impress friend and foe. The Americans of DevilDriver demolished the main stage in the burning sun (as it was around 37 degrees Celsius). with crowd surfing wheelchairs and circle pits all over the field.
Alter Bridge took over the main stage as an evening pre-headliner. Fronted by Myles Kennedy supported by Brian Marshall, Mark Tremonti and Scott Phillips, these American rockers swept up the crowd with their energy. Ending with Blackbird and Metalingus, it was too bad that they only played an hour. Who can’t remember singing along to Don’t Fear The Reaper in the good ol’ days, at Hellfest you got to relive those days with Blue Öyster Cult playing The Valley. These rockers still hold their ground as they did back in the day and everyone seemed to enjoy it. A lot older but still rocking is all I can say. The Prophets of Rage took over Hellfest next and released the inner beast in us all. You take Rage Against The Machine and mix it with a few of rap’s finest (Cypress Hill, Public Enemy) and you get a love child called Prophets of Rage. The energy was just amazing and the on stage chemistry was felt all over. Spitting out rhymes and exploding riffs will make you Take The Power Back. The album drops in September and is definitely one for the books with a few original tracks by different members. The band ended with Killing in The Name Of and an instrumental version of Audioslave’s Like a Stone for the late Chris Cornell.
https://www.facebook.com/brealofcypresshill/videos/1881452538763488/
https://www.facebook.com/brealofcypresshill/videos/1881452538763488/
In 2014, Emperor returned to Hellfest with the 20 year anniversary of In The Nightside Eclipse and played the main stage. Many thought then that it was too big of a stage to truly embrace the music and that’s why in 2017, Emperor returned to Hellfest for the 20th anniversary of Anthems To The Welkin At Dusk in The Temple but this time, at a smaller stage at Hellfest, and everyone was absolutely right that the sound of Emperor gets its full potential on a smaller stage. It was a treat for the ears to hear them play Anthems in full and ‘I Am The Black Wizards’ as a dessert to the magnificent maincourse. While Linkin Park played in the background as the final headliner, we could see and hear the first sounds of Hawkwind, who still rock like they did in the 70’s. But because of the heat all day, I made it an early night, while the final band of the festival took the stage: The almighty Slayer. Fans in a 5 mile radius could listen to Slayer and with that Hellfest 2017 ended. Hellfest 2017 was amazing and I can’t wait to go back to Clisson in 2018 (22 – 24 June).
Twin-city-based bone crushers Godless have just released their 1st music video, for the song ‘Oneiros’. The song was part of their hugely successful debut EP Centuries of Decadence, which was recorded with new vocalist Kaushal LS. The band features members from both Hyderabad and Bengaluru. The EP is available for streaming online through all major streaming services, as well as up for sale on their website.
Catch the band live in August when they embark on their massive 6-city India tour supporting Australian death metal technicians PSYCROPTIC and joined by New Delhi-based prog death metal bandFRAGARAK.
‘In Rumination II- Reflections’ is the title of progressive death metal band Fragarak‘s new single, released as a motion graphics video. True to progressive form, the song is a roller coaster ride of a dark marriage between the esoteric and the innovative, clocking at over 11 minutes in duration. The song will feature on their upcoming 2nd studio release, which bears the title A Spectral Oblivion. It will be an ambitious 2-discalbum to be released by the label Transcending Obscurity, and can be pre-ordered as either a limited edition 8-panel digipak or as a digital download with a t-shirt. The album cover has been designed by the Malaysian studio Intuitive Designs. Listen to the single below.
100 days to go for Wacken Open Air 2017, and the lineup looks massive for its 28th edition. Some of the big names include Megadeth, Accept, Amon Amarth, Kreator, as well as old timers like Status Quo, Alice Cooper, and the mighty Europe. The lineup also serves a great chunk of death metal this year including Morbid Angel, Memoriam, Nile, Aborted and more. On the doom and stoner side, there is no disappointment with heavyweights like Grand Magus and Orange Goblin, alongside Crowbar, Paradise Lost, Ahab and more. Black metal legends Mayhem and Emperor both make their presence strongly felt, while grind legends Napalm Death and Brujeria grace the other side of the spectrum. Wacken never disappoints with its thrash bands and this year is the same with Sacred Reich, Tankard, Possessed, Annihilator and more. India’s premier old school heavy metal band Kryptos play the festival for the very first time and we at HBI will be there to support them as should you.
Wacken Open Air is not just about the bands and the music, it’s about a sense of belonging in the metal community, being a part of something bigger than yourself. Camping for three days at the festival site along with thousands of fellow fans, consuming copious amounts of alcohol, and taking in every second of the greatest display of the music we love, this is an experience of a lifetime one should not miss. Wacken also features market, a one stop shop for everything metal under the sun, make sure you pay a visit. Do not forget, the crew of Headbangers India will be around, so do come and say hi, and share a beer, and most importantly have the time of your life for three days and make sure those around you do the same as well. See you all at Wacken Open Air 2017!
Arpit Pradhan and Ruben Franklin of the critically acclaimed death metal band FRAGARAK are now proudly endorsed by USA based Schecter Guitar Research. They’re the first Indian endorsees of the brand. Schecter Guitars boasts an artist roster of the likes Gary Holt, Pete Townshend, Jeff Loomis, Mark Knopfler, Ritchie Blackmore, Chris Poland, Synyster Gates and many others. Reuben uses a Schecter C1 ATX Blackjack and Arpit uses a Schecter C1FR Hellraiser.
Arpit PradhanRuben Franklin
Fragarak is a 4-piece metal band hailing from New Delhi, India. The band was formed in early 2012, with an intention to create extreme metal with a unique expression – a sound rooted in the veins of old school essence, accompanied by a technical approach and progressive attitude towards structured songwriting.
Since their debut release, Fragarak has made live appearances at several of India’s most prestigious metal shows across the country. They have been a constant name in ‘Pandemonium’ – the only of its kind annual extreme metal festival in the country, where they recently supported US stalwarts Funerus in the 4th edition of the Festival. With respect to shows beyond the borders, Fragarak was the first Indian band to play in China at the esteemed Asia Metal Festival in Shanghai in 2014. The tour also marked their show in Zhenjiang for the city’s annual international music festival. Few of their recent tour outside the country would include shows in Penang and Kuala-Lumpur in Malaysia along with Singapore in 2015 for Impiety’s 25th Anniversary. Continuing its rendition of consistent live offerings, Fragarak has been accomplishing an already growing fan base both on local and international soil.
The sound aims to create an introspective atmosphere, a journey of thoughts and perspectives, which would grow on with multiple listens. Fragarak has mostly retained a stable line-up throughout, except for a change in the drummer in 2014. Presently the band comprises 4 founding members – Ruben Franklin and Arpit Pradhan on guitars, Kartikeya Sinha on bass and Supratim Sen on vocals. Vishesh Singh is the sessions live drummer along with Louis Rando (of ex-Nervecell, Impiety, The Furor, etc.) who collaborated towards the studio tracking of drums for the upcoming full-length album. The sophomore record which is planned for release by early 2017, would be a concept album spanning roughly 70 minutes of playing time.
For any rock/metal fan in India, this time period (between November and March) is well known to be the college festival season. Among the most popular of them is Livewire, the rock competition/festival of the prestigious Indian Institute of Technology in Mumbai (part of their cultural festival Mood Indigo). However, this year, tunes were marred by mismanagement at a gigantic level. We spoke to three of the four judges Varun Sood (drummer|Blakc),Reinhardt Dias (guitarist|Blakc)and Rahul Nair(vocalist|Trinergic)about what went down. Pradeep Pawar from Trinergic was the 4th judge.
It all started 3 bands into the semi-finals on 22nd December, when the third competing band’s PA sound was suddenly cut off. According to the judges, the sound man approached them and told them that the folks in charge of the event had asked him to cut the drums and bass from the PA and leave them on only for the stage sound. This incomplete audio output made it extremely hard to judge the event. The reason given by the organizers was that the professors were complaining about loud volume (they were told that it had to be kept below 75 dB, according to Rahul Nair). Following this (and the several attempts made by the judges to reason with said complainants), the remaining 6 bands had to contend with an audio nightmare. It involved the man behind the sound board switching the PA sound back on, only to immediately be told to cut it off. A situation akin to listening to music on defective earphones which keep shutting off in one ear.The man behind the sound board was powerless here as he was only doing his job, working to them whims of the supposed professors who were finding a college festival’s sound too loud. We’re talking about a festival that has been happening for decades now, with never any such complaint being made. In the words of judge Varun Sood:
The PA was cut totally for the third band. After that, since we kept telling them that this is fuckall and not fair to any band at all (I mean come on, reducing levels is one thing. Cutting the PA off is ridiculous) for most bands, the PA was going on and off mid-set. So basically, for the third band it was totally off. After that it was on and off intermittently.
Being unable to do anything more, and wanting to get on with the show, the judges agreed to judge the bands based on this new sound setup. After the event got over, competing bands went over to the judges for a chat about their performances. According to Reinhardt, a certain Mr Amit, who was overseeing the judges’ camp, interrupted them while their conversations were going on and forced the judges to ‘go home and stop talking to the bands as it is not allowed’. They suspect that his worry was that bands were trying to find favour with the judges in order to win. The rules stated that 3 bands were to be shortlisted for the finals that would take place on December 23rd, and so the judges did so. In fact, the judges had unanimously deemed Delhi-based Purple Jays as their favourite among the lot. This band had, incidentally, missed their flight and had shelled out money in the ballpark of Rs 50,000 to be in Mumbai in time for the competition. They were also the band that were talking to the judges when Amitinterrupted the banter. Reinhardt Dias:
It’s my personal opinion, I don’t know if this is true or not, is that Amit thought that we judged Purple Jays as the best band because they were the only band that he personally saw us speak to. As in, it was them we were speaking to when he told us that we couldn’t talk to the bands.
Whether or not this influenced what happened next is still unknown. But in a dramatic turn of events, one member of Purple Jays told Reinhardt that they didn’t make it, which left the judges shocked and feeling suspicious. After several calls to the show’s organisers (that went unanswered), they were told that they (the organisers) had changed the list of finalists. Straight from (one of the) horse’s, Varun Sood’s, mouth(s):
That incident was the boiling point for us. So basically all of us unanimously decided on 3 bands who should make it to the finals. We just gave the names. Very clearly. A couple of judges had scribbled some scores next to each band, but the three band names were conveyed in a crystal clear manner. We never even hinted to anyone to even look at scores (I didnt even give any score). After this….as we are talking to bands (who are generally there to ask for feedback), this one guy keeps butting in and saying “Sir please dont talk to bands. Its not allowed”. Which strikes me as extremely childish. Anyhow, we met some friends from IITB and got the hell out of there
Next day at around 2 PM, I was talking to one of the band members who happens to be an old friend. His band (Purple Jays) was one of the best by far. In case anybody even thinks there might be a bias here, it was not just me. All judges felt that the band is outshining the others.
But when he told me he didn’t make it, I was stunned. I immediately called a couple of guys. Even the band was trying desperately to find someone and sort this out, because I told them they won and should be in the finals. Bear in mind that this band had missed a flight from Delhi before, yet bought ~50k worth of flight tickets just to be there. And now imagine me talking to this one guy from the organizing team who said “Sir since the first band (Purple Jays) got good sound and the other didn’t, we have normalized the scores which effectively puts them in 4th place”. That was the absolute WTF moment for me as well as Reinhardt. A total sham. We were so so clear in our selections, and these guys without so much as mentioning to us, graded the bands on their own whimsical criteria. That’s the fucked up part…this so called “normalization” just took place without consulting a single judge. Had I not talked to my friend, the IITB organizers would not have have told us anything. This basically meant that there was no point of having judges in the first place. And basically then what followed was what you saw on Facebook
What happened on Facebook was Reinhardt Dias, Varun Sood and Rahul Nair detailing the events of the night. The post by Reinhardt Dias especially, spread like wildfire, prompting the organisers to ‘grant’ Purple Jays the right to play as a 4th finalist. Says Varun Sood:
The one positive impact of this was that the band actually got to play, so there were 4 finalists. But again, because of all this fuckery, each band got a whopping 9 minutes of stage time in the finals, which is disappointing to say the least.
According to Reinhardt Dias:
I told them that the damage is already done. Even if I were to remove my post on Facebook, hundreds of people have shared this and the news has reached the public. I wanted this to happen because I want them (organisers) to understand what situation they have created. I want this news to be spoken about and not die down because this has been happening for a few years. Back then, we didn’t have the kind of social media influence there is now to be able to document such things. I want things to change and the right kind of people to be organising these fests.
Varun Sood:
Essentially, this is a problem of not understanding that organizing a rock competition/concert requires some level of passion from the organizer’s part as well. This is what has changed. There was a time when organizers at IIT’s were passionate about doing this. You could tell the guy handling the stage etc. was enthusiastic about the music, about the bands.The reason there seems to be so much apathy and ignorance now is because most of the volunteers and organizers at the scene are clueless
Rahul Nair:
Personally, every time I have judged an event, winners have been the one’s the judges finalise. This is the first time, but college festivals do treat bands in a very very messed up manner on various occasions
We, at Headbangers India, would like to show our solidarity for the bands that had to suffer through this ordeal and we hope that things change for the better.
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